This came about on the top of Scarr mountain a few days ago. Looking out over the valley and onto the distant hills and forests. I followed the line of trails with my eye like a virtual map in front of me. Trying to work out my surroundings and where I was in relation to what I saw.
Plein air drawing in charcoal on cotton rag paper.
My trails, my ventures, my paths, my presence. It calls to mind a sense of living and where I’ve been in life up until now. Time has no presence, its hard to comprehend sometimes.
Plein air drawing is something I am doing a lot more of lately. It has no comparison to drawing in the studio. I get a sense of place in the studio and I work from memory. The studio forces me in to draw without a subject in the room and work from memory. When I draw out in the open, something else happens. It allows me to connect in the moment and respond there and then when something that catches my eye. In the studio I recall those moments but to bring back an image of my interpretation unlike a captured photographic image, reinforces a strong connection to the landscape and how I see it.
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I am thrilled to have my work photographed and now posted to my website here in Work 7. This work came about so fast and is continuing into the next pieces with a small change in direction. I am looking at opening the space more in the work as per my postlast week. I am excited with whats happening right now in my painting. The need to be out more in the open sketching plein air seems to be really helping too.
I am delighted to be joining other artists next week for the Annual Christmas Art Exhibition 2017 at Schoolhouse For Art The Square, Enniskerry Village, Co. Wicklow. The show opens next Friday evening on the 1st of December at 7pm and I will have 3 of my most recent new paintings on exhibit.
Enniskerry is not too far from the places I haunt for inspiration. All my current series is influenced and drawn from the beauty and wonder of nature in the surrounding environment of Djouce, Crone, Maulin and the open landscape of the Wicklow mountains.
This is a mask I was given as a gift almost 9 years ago. My good friend Ger who gave it to me said she would love to see what I could do with it and paint something of my own on it. I really loved it as it was, just a blank white smooth surface. It took about 9 years for me to finally get the urge to paint something on it and turn it into something with narrative. I wanted to paint a kind of self portrait for a while and so I thought this would best represent what I wanted to do.
When I finished it, I decided to wear it and see how it would photograph. It felt like a ‘becoming of’. Like the land we came from and back to the land we go.
For the title of the piece itself ‘Privilege Of Existence’ I had in mind my belief of how fickle and fragile our own existence is. The chance of ‘becoming’ is like a lotto in ways. Since childhood I always think of my own very existence and how being adopted makes me feel about that. Time itself is a place we survive for only an atom-size fraction, until the next cycle of generations rotate. It raises questions to me about how significant we really are, in nature and among the smallest of stars to the largest ones that we know of yet.
I painted this piece in oils and I used pieces of pine needles I found on the Djouce woods bed where I incorporated onto the mask surface before applying multiple layers of oils. I approach most of my painting in this way. I like to keep pieces I find along the way when I am out hiking and reviving then back into a kind of living state, in art and forever preserved.
My inspirations for this painting derives from my many trips up into the open landscape of Wicklow National Park. Its vast sense of space and atmosphere with the constant moving and ever-changing skies and mists were part of what I wanted to express back in my studio. I have also incorporated actual pine needles and twigs I collected from the natural surroundings of the woods I walked through, before setting out to climb the hill behind, onward to Djouce summit, leaving the woods behind. These pieces are incorporated onto the actual surface of the painting captured like souvenirs, forever preserved. I approach all my paintings in this way.
‘Ledge’ will be on exhibit February 27th to March 12th at Signal Arts Centre, 1 Albert Avenue, Bray, Co. Wicklow, along with all my most recent paintings and photography.