Re-Aligning

Detail of a ‘Aligning the Planets’ painting that I am revisiting at the moment.. For the past year I thought this painting was finished, but I’m feeling a new energy with it now. Some detail sections below.

Full size 100cm x 100cm, oil and cold wax on linen

Detail
Details
Detail

Yellow Energy

Works in progress and probably a full moon eve moment of madness!

These began as gestural quick marks that all came about in one session within 4 hours. It was an expressive beginning to something I wanted to explore using yellow and orange, colours I love using together. The mediums used were both oil paints and oil sticks.

Yellow Energy Studio Session

The next stage will be to refine parts of the works that appeal to me and to challenge the line, colour and marks further into a unity that is less arbitrary.

Painting in Progress

The direction I want to go with my work is to give space to the painting. It needs more of a way in and an outlet. Out of curiosity I attended this years ‘Speed Curating’ at Get Together 2019 and I gained some good advise from some of Ireland’s top gallery curators. I know most of my strengths and weaknesses and with some been pointed out to me is reassuring and encouraging. Only good can come from constructive criticism and I will make relevant decisions to constantly build and improve my work. I am excited to see where it will take me.

My art is my response to nature and the surrounding landscape. My thoughts often drift from what’s on this planet to the wonder beyond our greater universe. Something that I feel needs no explanation but is always part of the work. . .

Painting Process

I am currently working on this painting and this was an early stage where it was a few months ago. I felt at the time that it could be finished at that early stage and I didn’t want to do much more with it. I put it aside for a few weeks, which is what I do when I am not sure about a work in progress.

In the above image is where it had come to in the beginning stages. In the first layer I used sand with PVA, which I haven’t used sense my previous trees series. I used the sand to start the beginnings of the composition and then when the PVA mixed with the sand dried I painted the next layer which was oils and colour with oil sticks to mark make. I painted loosely where the painting seemed to want to go toward. I left it for a few weeks and felt it needed to warmer and brighter. So far this is its progress.. it may be concluded but I’ll give it time to rest.