Trying to fix a painting.. inspired by thoughts and visual awareness from my hike today..well yesterday now.. terrains, tree felling, January sunset, tree stumps, wild winds over Lough Tay and spying on sparrow hawk trying to fly against the winds.. .
My last few days in the studio have been very productive. I’m hardly able to stay away at the moment.. I’m really excited about this new direction and the work that seems to be flowing right now with the energy I have. I hope it keeps coming. Abstraction allows me to paint straight from my heart without too much thought. There is a sense of great freedom and I’m so excited about being back here.
This is where my painting is taking me right now.. It may look like an entirely different artist’s work but if you really look at it, it’s not.. I’m letting go of order and expectation. That being entirely from my own expectation and criticism within my own institution..
Abstraction is very hard but it’s also very freeing. It requires trust and inner connection, but to let go of question and fear..
I find myself painting over abandoned paintings lately and it comes with no hesitation when I’m returning to it.. Even the harshest of endings..
My current new series is all about pushing abstraction more than I have ever done before. Responding to my surrounding landscape and being so passionate about nature, forests and the open landscape. The colours are influenced by the bright vibrant summer light that is being experienced here in Ireland lately.
This is only a short rough video idea on the current direction I am taking and I am very excited about it indeed!
My most recent painting entitled ‘Entering The Dream’. A visual description of being immersed in my surroundings deep in the forest.
A recall of flickering light through movement, of fast changing seasonal colours, of mood and atmosphere, of sounds and scents and of the euphoric warmth that it brings to me.
The piece is painted in oils mixed with bees wax, otherwise known as ‘cold wax technique’ where I melted the wax and mix with turpentine to make a thick paste when cooled down. This is then mixed in with my oil paints to a consistency that is thick but vibrant in colour giving a mat finish and dries quicker. I surfaced the canvas with pine needles and sand letting it dry before applying the paint and wax, something I do in most of my painting.