The direction I want to go with my work is to give space to the painting. It needs more of a way in and an outlet. Out of curiosity I attended this years ‘Speed Curating’ at Get Together 2019 and I gained some good advise from some of Ireland’s top gallery curators. I know most of my strengths and weaknesses and with some been pointed out to me is reassuring and encouraging. Only good can come from constructive criticism and I will make relevant decisions to constantly build and improve my work. I am excited to see where it will take me.
My art is my response to nature and the surrounding landscape. My thoughts often drift from what’s on this planet to the wonder beyond our greater universe. Something that I feel needs no explanation but is always part of the work. . .
Here are four new paintings out of many I’ve been working on this past while. This work has taken on its own direction and I am very excited about where it is going and the process of making it.
I went back to abstraction in a more expressive way through charcoal drawing and bringing that through to the painting. When I am out sketching for ideas for a new paining I focus on the atmosphere and details that catch my eye. My drawings are more expressive and quick as I like to get the composition down quickly. When back in my studio I found that the freedom was more enjoyable while doing these quick sketches and that gave me the urge to start the painting with charcoal and pencil, making marks and developing something to start with. I didn’t want to loose the drawing so when painting I would keep what appealed and worked as part of the painting, so some of the drawing comes to the surface while other parts get lost. This is the challenge that makes the work more interesting to make and with free gestural strokes and use of colour, this way of painting has been an exciting new direction.
With my last painting series between 2016/17 which was my explorations of the forests and trees. I saw them as reminders of time and in brief of existance. I was interested in the fragilities of the landscape and I became more focused on the dyeing trees. I really indulged into my wonders and love of being in a forest and it was like an itch I had to itch.
I am currently working on this painting and this was an early stage where it was a few months ago. I felt at the time that it could be finished at that early stage and I didn’t want to do much more with it. I put it aside for a few weeks, which is what I do when I am not sure about a work in progress.
In the above image is where it had come to in the beginning stages. In the first layer I used sand with PVA, which I haven’t used sense my previous trees series. I used the sand to start the beginnings of the composition and then when the PVA mixed with the sand dried I painted the next layer which was oils and colour with oil sticks to mark make. I painted loosely where the painting seemed to want to go toward. I left it for a few weeks and felt it needed to warmer and brighter. So far this is its progress.. it may be concluded but I’ll give it time to rest.
Painting in oils and coldwax. Mixed with drawing and mark making in
charcoal and pencil. Full moon was on my mind at the time of making this
painting and I was very much affected by a recent full moon at the time
of when this came work about.