Today

Things that caught my eye while out hill walking in some of my favourite places yesterday and today. How light changes.. How thoughts move..

Studio 290818

I just had to make it bigger..now it’s become both landscape and a diptych which wasn’t my intention.. What to do??!! ..I have 2 more blank canvases come to think about it…

Observer – Creator.. the Same

I am the observer, less the creator..

This is where my painting is taking me right now.. It may look like an entirely different artist’s work but if you really look at it, it’s not.. I’m letting go of order and expectation. That being entirely from my own expectation and criticism within my own institution..

Abstraction is very hard but it’s also very freeing. It requires trust and inner connection, but to let go of question and fear..

I find myself painting over abandoned paintings lately and it comes with no hesitation when I’m returning to it.. Even the harshest of endings..

img_4551img_4526-1img_4473img_4524img_4528img_4523

Study

This was meant to be a study for a new painting but I feel it’s painted itself to a place I already.. Who knows..

In progress..

White World

Moving on with this current work in progress and this newly begun small little painting, I hope for the colour to return soon in this white snowy February we are having right now..

Reworked

Wet Boots’ 20x20cm

Oil and beeswax on canvas

This painting although previously thought finished, had been sticking out from the rest here in my studio the past few months looking to rework its ending.. So today I gave in.. there is a fear in reworking an old painting but it’s a fear that drives me sometimes also..I hope I made the right decision.. I’ll know in a few months maybe..

img_2504
‘Wet Boots’ (Reworked) 20x20cm Oil on Canvas

 

 

img_2503
‘Wet Boots’ 20x20cm Oil on Canvas

When?

This is something I am working on at present.. I find it hard to ‘stop painting’ sometimes..it’s like my conscience is whispering to stop but I can’t. Physically, I feel compelled to work some of my paintings up and up until they are almost smothered.. that is where I ‘go’ when I surround myself with my subject..