‘Entering The Dream’, the title of this painting and of my upcoming solo exhibition in Ranalagh Arts, Dublin in just 2 weeks time. I hope to bring a piece of the forest and my surrounding rural landscape into the city for a little space in time.. I have a passion for exploring forests and being surrounded by the sight, smells and sounds. It takes me back to my childhood when I was just a little thing full of wonder and innocence. How the world has changed and everything around us.. seeing life and how the cycle of old and new continues from one into the next.. The ‘broken trees’ that stand out in the open spaces of the landscape recall these such thoughts..
‘Entering the Dream’ opens with guest speaker and artist Michael Gemmell, May 24th at Ranalagh Arts. Time of opening TBA..
This painting although previously thought finished, had been sticking out from the rest here in my studio the past few months looking to rework its ending.. So today I gave in.. there is a fear in reworking an old painting but it’s a fear that drives me sometimes also..I hope I made the right decision.. I’ll know in a few months maybe..
My most recent painting entitled ‘Entering The Dream’. A visual description of being immersed in my surroundings deep in the forest.
A recall of flickering light through movement, of fast changing seasonal colours, of mood and atmosphere, of sounds and scents and of the euphoric warmth that it brings to me.
The piece is painted in oils mixed with bees wax, otherwise known as ‘cold wax technique’ where I melted the wax and mix with turpentine to make a thick paste when cooled down. This is then mixed in with my oil paints to a consistency that is thick but vibrant in colour giving a mat finish and dries quicker. I surfaced the canvas with pine needles and sand letting it dry before applying the paint and wax, something I do in most of my painting.
This is something I am working on at present.. I find it hard to ‘stop painting’ sometimes..it’s like my conscience is whispering to stop but I can’t. Physically, I feel compelled to work some of my paintings up and up until they are almost smothered.. that is where I ‘go’ when I surround myself with my subject..