I paint because I have to

I see it I paint it

I feel it I paint it

I dream it I paint it

Eltanin, Oil on Canvas, 80cm x 80cm

I hear it I paint it

I want it I paint it

I don’t want it I paint it

I love it I paint it

Eltanin, close up detail

I hate it I paint it

I am it I paint it

I am not it I paint it

I paint it I don’t paint it

Sometimes or Always?

Standing back after an intense session of painting and trying to work out where it’s going I can sometimes see parts of the chaos in my mind. Usually on a day where I finally tackle my fears, the what, why, when, how, but, all shower down in a deafening noise. Then I stop and I can begin to make sense of something.. sometimes.

This work in progress is perhaps another of those..

From Crone

Looking out from Crone woods over Powerscourt and Djouce woods.

Trails and Waterfalls

Painting in Progress

The direction I want to go with my work is to give space to the painting. It needs more of a way in and an outlet. Out of curiosity I attended this years ‘Speed Curating’ at Get Together 2019 and I gained some good advise from some of Ireland’s top gallery curators. I know most of my strengths and weaknesses and with some been pointed out to me is reassuring and encouraging. Only good can come from constructive criticism and I will make relevant decisions to constantly build and improve my work. I am excited to see where it will take me.

My art is my response to nature and the surrounding landscape. My thoughts often drift from what’s on this planet to the wonder beyond our greater universe. Something that I feel needs no explanation but is always part of the work. . .

By the sea

New Series

Here are four new paintings out of many I’ve been working on this past while. This work has taken on its own direction and I am very excited about where it is going and the process of making it.

Untitled, Oil on Canvas, 50x50cm

I went back to abstraction in a more expressive way through charcoal drawing and bringing that through to the painting. When I am out sketching for ideas for a new paining I focus on the atmosphere and details that catch my eye. My drawings are more expressive and quick as I like to get the composition down quickly. When back in my studio I found that the freedom was more enjoyable while doing these quick sketches and that gave me the urge to start the painting with charcoal and pencil, making marks and developing something to start with. I didn’t want to loose the drawing so when painting I would keep what appealed and worked as part of the painting, so some of the drawing comes to the surface while other parts get lost. This is the challenge that makes the work more interesting to make and with free gestural strokes and use of colour, this way of painting has been an exciting new direction.

Fragmented, Oil on Canvas, 80x80cm

With my last painting series between 2016/17 which was my explorations of the forests and trees. I saw them as reminders of time and in brief of existance. I was interested in the fragilities of the landscape and I became more focused on the dyeing trees. I really indulged into my wonders and love of being in a forest and it was like an itch I had to itch.

Untitled, Oil on Canvas, 50c50cm
Untitled, Oil on Canvas, 100x100cm

The Rings Of Saturn

I am working on this new painting at the moment and here is a small part of the detail in close up. In its early stages it had been leaning toward a title that came to mind – The Rings Of Saturn.. and more from a sound and movement perspective. For a part of the process I listened to sounds recorded of the planet posted on YouTube..it seemed to intensify the experience and I’m hoping some of that comes through in this painting on completion.